Global Nature Beat is on a break for Christmas, so here is something a little different — some pictures I made after signing up for an evening class in printmaking.
I had never made a print before, but had always liked drawing. Did I ever draw though? Not for many years, no. There never seemed to be enough time. The evening class — 2.5 hours every month — was the structure I needed.
Each session was deeply relaxing and a wonderful foil to my daily focus on scientific reports and the clack-clack-clack of my laptop’s keyboard. Below are four of the prints I made, each using a different method.
Monoprint: This is the simplest of the techniques I learned. After using a roller to cover an A4 piece of plastic with ink, I then taped a sheet of paper on top of the plastic and drew on the page. As I drew, the image below formed on the underside of the paper. No printing press required!
Collagraph: This involved creating an image by pasting various materials — including bubble wrap, seeds, corrugated cardboard and strips cut from an orange juice carton — onto a sheet of card. I then painted ink over the entire surface. One trip through a hand-rolled printing press, with a piece of clean paper laid over the inked montage, resulted in the print below.
Drypoint: For this picture, I took an A4 sheet of Perspex and etched a drawing of a Cape buffalo into it, using a sharp metal nail in place of a pencil. I then covered the surface of the Perspex with ink before rubbing it all off. This left ink only in the tiny cuts I had made with the nail. I then ran the Perspex through the printing press with a sheet of paper on top. The pressure forced the remaining ink out of its crevices and onto the paper.
Linocut: I gouged away the surface of a piece of linoleum with a sharp knife and some shaped metal tools, leaving intact only the areas that I wanted to appear black in the image. With a roller, I applied a quick layer of thick ink that covered these higher areas and left the cut areas clean. After I covered the lino with a piece of paper and put them through the press, my orca was born.
In sharing these images, I am reminding myself to make more time for creative fun in 2025. I’ll be back in January, when normal Global Nature Beat service resumes. Until then, happy new year!
Nice work, Mike. You have some serious talent for drawing - which I have none of - and it conveyed beautifully to printmaking. If you're interested in some great nature-based linocuts, you might like Sherrie York's work, which I highlighted a few weeks ago: https://jasonanthony.substack.com/p/the-patience-required. Thanks as always for your great work here on the nature beat. Happy New Year.
Thanks for describing the different printmaking techniques. I learned a lot. Your drawings are amazing.